Design strategy of creating a building position is inclined and depended on micro and macro context. Historical background of the environment is themed by the Baleal Fortress as a significant landmark. The linear layout of new spatial intervention is situated along North-South axis directly related with main fortress entrance.

Juxtaposing new architectural element and archeological remains results in creating timeless space in-between as an introduction to the new mental spatial journey.
By exaggerating overall spatial proportions and monolithic volume we are achieving dramatic expression that pretend to involve all human senses. The Monolith is seen as the theater scene itself. Its spatial interpretation is based on three levels of meditation: concentration, contemplation and transcendence.

The first level in the form of entrance zone, is the space in-between where visitor/pilgrim is preparing for its journey. The second level of experience leads visitor through the repetitive process of serial motion towards the top of the stairs. This inner sanctum between the two walls is where the transformation of human thoughts is taking place. The zenit of transcedental experience is happening at the moment of arrival to the top platform which provides contact with the end of the continent. The described thought-cleansing process is resulting in completely new spatial experience and environment impressions. Although in strong contrast, landscape and the Monolith are creating perfect ballance through connecting physical and metaphysical, non-place.

Erecting the building which height is equal to the fortress remains width, is forming the viewpoint platform which provides unique 360 degree panorama experience thus creates strong contextual landmark itself. The building is functional wall which contains all necessary service and servant spaces located underneath the monumental stairs. This functional organization is leaving all public areas free for motion and discovery.

Materialization is expressed through the philosophical concept of duality. Eternal game between stone and water, waves and rocks, rustic and smooth, fluid and static. The form of tectonic rock formations on site is transferred to the building itself. Its represented as a raw stone facade cladding over massive walls concrete structure. This material contrast is additional relationship with context and surrounding scenery.

Team:

Aleksandar Gušić

Danilo Vukosavljević

Miloš Stojić